If you are shooting SLOG to only throw a LUT on and call it done, you shouldn't be shooting in Log at all. SLOG will give you the most available dynamic range in your captured video, but without proper correction and grading you wont see it all. You could do the same in Premiere in Lumetri and then apply it to everything as a Master Clip Effect.Īlso, I just watched a video on real estate videography - the guy said that shooting in SLOG2 is a must for shooting interiors of homes with bright windows due to the huge dynamic range of the windows vs interior. Inside the archive you will find technical Slog2 into REC709 LUT as well as more stylized LUTs for specific looks.
But for that, I just go to DaVinci and make my own for every shoot (usually one for ever location). Free Sony Slog2 Luts Hey everyone, I created custom Slog2 S-Gamut3.cine to REC709 LUTs because I wasn’t very happy with the official LUTs or the ones that included with Davinci Resolve. LUT File Format.cube Digital Download Yes Download Size (Unzipped) 3.93MB Instructions Included Yes Free Regular Updates. Perfect for corporate, weddings, events, music videos, fashion much more. But remember that a LUT is a starting point at best unless this is a temp color.īut honestly, I wouldnt use it unless its just temp color for editing and you dont want to look at grey all day. By placing these LUTs onto your S-Log2 S-Log3 videos, it corrects and fixes the colors to a natural colorful look. There is an abundance of 'SLOG2 to _' LUTs online its almost a joke. You need to use the scopes, and some saturation.
Trying to learn how to correct in premiere pro
